And it's a complete joke. These stories have pathos that crash over you, again and again, like a set of tidal waves. As a reader you really go somewhere with Olive and her town of Crosby, Maine. But then to reach the end and begin the interview, hoping that Strout might explain where these characters came from and how their sum narrative arc was choreographed, and instead find Olive has been cheapened to coy remarks to the interviewer and Strout--well, I felt taken advantage of. Like Ralphie from "A Christmas Story," where Annie's secret message is a crummy commercial for Ovaltine.
In one of these stories, a character rips pages out of a magazine that contain a short story that reminds her too much of her sorry state of affairs. In reading this interview, I wanted to rip it out of the book so it wouldn't contaminate what is truly remarkable writing.